The Ajrada Gharana emerged in the early 19th century and traces its roots to Ajrada.
The gharana is associated with Kallu and Miru, who established its distinctive tabla tradition.
They were disciples of Sitab Khan (Delhi Gharana). This Gharana is an offshoot of the Delhi Gharana
The distinctiveness of this Gharana is the use of complex Bols and Meend. Pakhawaj bols are rare. The stress is on Ad and Barabar laya. It specializes in the three-time pattern. The position of the left drum is not changed, but its face is touched with the thumb. Gheginak, gheghe, Dhadagena, Nadagena or Tadagena etc. are used in Qayadas.
Habibuddin Khan, Niazu Khan and Ramzan Khan are the main representatives.
NO Maestros FOUND for ajrara Gharana.